Gundungurra
Man
© Gregory North, 2006 In the mountains
there's a spirit, and I wish that I could hear it
whisp'ring answers to these puzzles that I scan. Will these tantalising traces soon transform to empty spaces that forget the ghost of Gundungurra Man? August sunshine’s gently warming where no clouds have thought of forming in the wondrous blue extending past my search. Fancy sends my footsteps steering to a spacious, stony clearing, where the atmosphere has presence – like a church. Scrub wrens trill and tweet and twitter; lyrebird traipses through the litter and the breeze ekes out a gum tree's eerie creak. Sodden edges, velvet mosses soaked by water as it crosses silent sandstone it has stained to show the streak. Sandstone rock that's bare and weathered with the bushland closely tethered to the edges where it scratches for a hold. Tessellations, grooves, and banding of the ironstone – commanding that it sit up proud to watch the view unfold. And the view! Oh, what a treasure. All the world there at my leisure. There's the city in the distance. What a sight! As I sit and gaze and ponder, my hands gently start to wander over sandstone that's been formed by Nature's might. Then my fingers find some grooving made by something that's been moving to and fro to form this finely sculptured dip. Aboriginal axe grinding – well I need no more reminding – these are precious as they fade with Nature's grip. In the puddle there are others, workshops carved by Koori brothers, grinding basalt that was treasured by their clan. Pools and channels catch the water, carved from rock, no bricks or mortar. What an artist you were, Gundungurra man! Peering past the pool's reflection forms a tenuous connection to a time that's lost forever in the past. I can see you work and chatter of the things that really matter – fun and laughter while you share the skills that last. Cannot hear your explanation – you’re in my imagination, mouthing words that nowadays no mortal hears. But I have so many queries answered only in vague theories, for your people's ways were lost down through the years. Did this place have special meaning to the group you were convening, as you ground your basalt axehead in this groove? Were the spirits with you, guiding, through the songs of birds confiding in the fragrant wattle blooms, that they approve? These Boronia in flower have a scent to overpower. What did you call them? I fear we'll never know. Some self-righteous white explorer gave his own names to the flora, seeking not to learn, but simply overthrow. Winter morning is a glory, but the night's a diff'rent story. So, where did you sleep and how did you keep warm? Did your arms enfold your lover; 'neath an overhang for cover from the freezing air, the howling wind and storm? Did you move to suit the seasons? Did your folk lore give you reasons for nomadic journeys through your tribal land? Did the landmarks give direction? Did they aid in recollection of instructions you were taught to understand? Is that mountain in the distance linked with spirits' co-existence with your people and this ancient land of old? Mount King George (to be respectful), but it's really so neglectful of ancestral names from dreamtime stories told. Did you see the white man's labours, hear about them from your neighbours of the tribes whose land they spoiled in their quest? Did you hear their cattle grazing, find their horse and dogs amazing as they slowly infiltrated further west? Cockatoos squawk at a stranger, lyrebird shrieks to warn of danger and a wallaby takes off and pounds the ground. Did the white man try persuasion? Was it simply an invasion? Was resistance quelled by actions now renowned? Did you feel you were forsaken by the spirits when they'd taken all your loved ones through disease the white man brought? Did you scream in desperation at their shameful declaration, herding ev'ryone to shantytowns like sport? When you spent your final hours, was it here among the flowers, in the bushland where you first stood on your feet? Did your body lie decaying – on a spot you'd once been playing – till a bushfire came and made the loop complete? As the moss grows ever nearer, wind and water make it clearer that your grinding grooves will also pass, with time. Will our mem'ries then be jaded when the evidence has faded, of a culture that was snuffed out in its prime? I am jolted from my dreaming by a jet with engines screaming, drowning out a fluting bird and creaking gum. Still, the rocks continue weeping for the secrets they are keeping of a man whose legacy will soon succumb. Yes, the mountains hold a spirit; how I wish that I could hear it whisp'ring answers to these puzzles that I scan. Will these tantalising traces soon transform to empty spaces that forget the ghost of Gundungurra man? ![]() The
Gundungurra tribe of Aboriginals have inhabited the southern and
western parts of the Blue Mountains in NSW. Archaelogical evidence
suggests that they inhabited the area since at least 22,000
years
ago – during the last ice age. Traces such as axe grinding
grooves, rock engravings, cave paintings, stone arrangements and tool
fragments can still be found in places throughout the mountains.
Unfortunately, many of these are slowly disappearing.
Source: “Blue Mountains Dreaming. The Aboriginal Heritage” Edited by Eugene Stockton, published by Three Sisters Publications 1993. This poem
won First place in the Inaugural
Gippsland Wattle Bush Poetry Award 2006
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© Gregory North 2010. Photos by Andrew Bosman and Gregory North. Updated August 2010 |